Let’s See Where the Night Takes Us

Josh Ritter & the Royal City Band headlined the concert at The Fonda Theatre in Los Angeles, California on Tuesday, January 19, 2016, touring behind recent album, Sermon on the Rocks. The opening band was Elephant Revival. Both bands performed soul-lifting music that could elevate the spirits of even the most discouraged individual. The mood of the crowd was excited and buzzing with anticipation from the start. I was completely won over by Elephant Revival, a group of talented musicians that blends folk-style lyrics with luscious, enchanting melodies over groovy, rhythmic beats.  There is a lovely interplay of the voices of

Would You Stop and Hear What I Would Say? (Part 1, BGS)

I wasn’t sure what to expect when I agreed to attend The Bluegrass Situation Festival at the Greek Theater on October 3, 2015 (follow the link for a thorough summary of the event on their web site, with gorgeous professional photos). My main goal for attending was to see the Punch Brothers, those incredible musicians and innovators of progressive bluegrass, and secondarily to see Dawes, an L.A.-based band that all my concert-going friends seems to know about, but I just discovered this year. The concert was really one of two halves — the first, which this blog entry covers, was

I Still Want a Little More

On Thursday, October 1, 2015 I had the joy of attending my first full concert by The Milk Carton Kids. I had previously seen them at an interview session and three song performance at The Grammy Museum in May upon the release of their album Monterey. There was a brief meet and greet afterward, where I was able to get my album signed by Joey Ryan and Kenneth Pattengale and share my appreciation for their music with them.  After that little teaser of a show, I was extremely excited for a full performance at The Theatre at Ace Hotel (formerly United Artists

And Just Be Who You Are

On Saturday night I headed to Amplyfi in Hollywood, CA to see my friend Kapali Long play a short set. This is a small, all ages venue with platinum records and music-themed posters on the walls, band stickers plastered all over an inner door, and an eclectic choice of chairs to sit on. This would be an ideal space for budding artists to play or perhaps for an intimate secret show. Kapali performed with his usual level of passion and obvious love for music. He started the show with his sweet song, “Double Tall Non-Fat Latte,” a story of love