There’s No Derailing Destiny

On Sunday, June 5, 2016 I was back at my favorite venue, Largo at the Coronet, to finally see Robyn Hitchcock in concert. I just missed out on seeing him at a 21+ venue that was down the street from where I lived, right before I turned 21. The last few times he has played at Largo I have had conflicts or the tickets sold out before I purchased one. Not this time though and I was ready for a night of music and strangeness that only Robyn could provide. Everything about Robyn is distinctive: from the immediately recognizable tone of

Just For One Day

I was back at Largo at the Coronet on May 27, 2016 for Jon Brion‘s monthly show. I sadly missed the April one and was feeling overdue on getting some live Jon Brion music in my ears. The stage was set with an array of instruments, including a handful of guitars, a drum kit, a miniKorg synthesizer, sampler, and two movie screens. Largo had tweeted earlier in the day that Jon had brought in his looping rig. This was most definitely going to be an entertaining night, but what I did not know was that I was about to experience

Just Don’t Break Up the Connection

Thursdays, April 21, 2016, Largo at the Coronet hosted a show titled “Sweethearts,” featuring musicians Susanna Hoffs, Jon Brion, Greg Leisz, Paul Bryan, Chris Bruce, Abe Rounds, and Sara Watkins. With all of these talented musicians on the bill it seemed to be the making of an excellent concert. Then, that afternoon news broke of the death of music legend Prince. The Bangles had famously recorded a song written by Prince, “Manic Monday.” How would the news affect this concert and the song choices, if at all?  Well, as much as Jon Brion and Greg Leisz tried to blast the

We Got Nothing But Night

When David Garza announced on the afternoon of Saturday, April 2, 2016, that he was planning a set with some guests in The Little Room at Largo at the Coronet that night, I made my plans to attend, though none of my friends could make the last minute show.  It was a small, but appreciative audience that night. I love the intimacy of this room, where sitting in the front you can feel the vibrations created by the instruments flowing right off the stage. I apologize in advance for the lack of thorough information on this show. I probably should

Ain’t Too Many Folks Can Play Too Many Notes

I was so lucky to see mandolin player extraordinaire Chris Thile in concert at my favorite venue, Largo at the Coronet, on Sunday, March 27, 2016. I am not going to go into lengthy details about Chris other than to mention I have seen him play a few times before with Nickel Creek, with the Punch Brothers, and as a soloist. Would I be talking him up too much if I said his gifts on the mandolin are unparalleled? How do you warm up an audience for one of the foremost music geniuses of our time?  Apparently, with feats of